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However, small numbers of Gibson banjos continued to be constructed and shipped during the war years using stocks of metal parts remaining in factory bins. Production of metal banjo parts resumed in late 1946; however, it is commonly believed that the metal composition of foundry products delivered to Gibson after World War II was inferior to ...
Recording King is a musical instruments brand currently owned by The Music Link Corporation, [1] based in Hayward, California, which also produces other musical instrument lines. Range of products commercialised under the Recording King brand are acoustic and resonator guitars, and banjos . [ 4 ]
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The company soon ventured into musical instrument production, producing primarily classical guitars and violins. By the 1960s they were producing guitars and parts for other brands including Vox, Greco, Ibanez, Yamaha, Aria, Norlin/Gibson, Univox, Westbury and Washburn as well as selling under their own Westone brand. [14]
Dueling Banjos is a 1973 soundtrack album to the film Deliverance by American banjoists Marshall Brickman, Steve Mandell, and Eric Weissberg released by Warner Bros. Records and made up of the title track by Mandell and Weissberg and a repackaged version of the 1963 album New Dimensions in Banjo and Bluegrass by Brickman and Weissberg.
He also appeared with Columbo in That Goes Double (1933), which featured Smeck on a screen divided into four parts, simultaneously playing steel guitar, tenor banjo, ukulele, and six-string guitar. Smeck played at Franklin D. Roosevelt 's presidential inaugural ball in 1933, George VI's coronation review in 1937, and toured globally.
Fred Van Eps (December 30, 1878 – November 22, 1960) was an American banjoist and banjo maker. The "Van Eps Recording Banjo" was a well-known model until 1930. [1] He was the father of jazz guitarist George Van Eps.
In addition to playing the banjo and guitar, he was a competent harmonica and fiddle player, and sang many of his most memorable songs a cappella. Holcomb stated: "Up till then the blues were only inside me; Blind Lemon was the first to 'let out' the blues." [3] Holcomb sang in a nasal style informed by the Old Regular Baptist vocal tradition.