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A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
The frogs of a violin bow, viola bow and cello bow Close-up of frog of a violin bow (K. Gerhard Penzel) Frogs of the French and German double bass bows. The bow frog is the end part of a stringed musical instrument's bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon.
A cello bow. In music, a bow (/ b oʊ /) is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it.It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound.
It consists of a ring, which holds the bowhammer on the finger, a shaped handle attached to the ring, and a 3 inch section of violin bow at the end. Bowhammers are typically worn in groups of eight, one on each finger except the thumb. The tension on the bow allows the player to stroke the string or strike it.
An up-bow is a type of stroke used when bowing a musical instrument, most often a string instrument. The player draws the bow upward or to the left across the instrument, moving the point of contact from the bow's tip toward the frog (the end of the bow held by the player). [3] [2]
Bows for Musical Instruments of the Violin Family is a seminal luthier reference book compiled by the late Chicago violinist Joseph Madison Roda (1894–1970) [1] and published in 1959 by William Lewis and Son of Chicago. The book is about bows and bow makers and includes detailed illustrations prepared by Gladys Mickel Bell (1901–1992). [2]
The usual way of holding the baton is between the thumb and the first two fingers with the grip in against the palm of the hand. The baton is usually held in the right hand though some left-handed conductors, for instance Paavo Berglund , hold it in the left.