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Recording for Gallagher's score began by March 2024 with the New Zealand-based Stroma ensemble, who provided wind and string instruments. [6] Crumhorns and shawms were recorded at London's Air-Edel Recording Studios; and soloist Karen Bentley Pollick was recorded remotely in Mexico playing the Hardanger fiddle, which Shore prominently used for the music of Rohan in the films.
Thus the six subtitles are 1. "The Stone Tower," a studio at Yaddo where the music was written; 2. "Leaving–Traveling–Hoping," made up of two short tunes surrounding a long poem; 3. "Sirens," an ambling succession of melodies and ripples; 4. "Hymn," an interlude for just five instruments; 5.
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
His output comprises approximately 300 instrumental works that are mostly written for wind instruments.There are a dozen flute concertos (plus two posthumously published works, one of them a flute arrangement of G. B. Viotti's violin concerto No 23), sinfonias for woodwinds, quartets and trios for different ensembles, 12 operas, 5 bassoon concertos, 6 bassoon sonatas and 6 oboe sonatas (Opp ...
Flute Sonata in B-flat Major, Anh.4: Scores at the International Music Score Library Project "Flute Sonata in B-flat Major, Anh.4 performed by Zdenek Bruderhans (flute) and Stefan Ammer (fortepiano)". YouTube. 2011-05-02. "Flute Sonata in B-flat Major, Anh.4 performed by Shinya Koide (flute) and Eriko Habata (Piano) - Live Performance". YouTube ...
• A Garland for Linda • A German Requiem (Brahms) • A German Requiem discography • A Handshake in the Dark • A Hero's Song • A Hundred Hardanger Tunes • A Hymn of St Columba • A Hymn to God the Father • À la musique • A la Verge Santíssima: Dues Lletretes a Una Veu • A Land of Pure Delight • A Little Suite for ...
Premiered 2012 at the Workshop for Music Performance Concert Hall, New York, by Christopher Creviston and Hannah Gruber. Inspired by the beautiful vocal quality of a soprano saxophone played in the Cathedral as well as the extended phrases and haunting melodies of Elizabethan lute music as styled by John Dowland.
The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the "Concours de flute", a flute competition held by the Conservatoire de Paris.Taffanel, who took over a flute class in 1893, regularly commissioned new compositions for the annual competition, and over time amassed a whole repertoire of technically challenging pieces suitable for the Conservatoire's requirements. [3]