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601 Chair by Dieter Rams. 10 Downing Street Guard Chairs, two antique chairs used by guards in the early 19th century; 14 chair (No. 14 chair) is the archetypal bentwood side chair originally made by the Gebrüder Thonet chair company of Germany in the 19th century, and widely copied and popular today [1]
Morris chairs feature a seat with a reclining back and moderately high armrests, which give the chair an old-style appearance. The characteristic feature of a Morris chair is a hinged back, set between two un-upholstered arms, with the reclining angle adjusted through a row of pegs, holes or notches in each arm.
Chair, c. 1772, mahogany, covered in modern red morocco leather, height: 97.2 cm, Metropolitan Museum of Art (New York City) A chair is a type of seat, typically designed for one person and consisting of one or more legs, a flat or slightly angled seat and a back-rest.
Design Research was started by the architect Ben Thompson in 1953. [citation needed] Spencer Field, a furniture designer, joined the firm as a 50-50 business partner in the early 1950s. [21] By 1966, it was clear that the company was underfinanced for Thompson's expansion plans, and he started looking for outside investors.
The company is the licensed manufacturer of furniture designed by architects and designers such as Harry Bertoia, Ludwig Mies van der Rohe and Lilly Reich, Florence Knoll, Frank Gehry, Charles Gwathmey, Maya Lin, Marcel Breuer, Eero Saarinen, and Lella and Massimo Vignelli, [3] under the company's KnollStudio division.
Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles , Palace of Fontainebleau , the Tuileries Palace , and other royal residences.
The 40/4 chair is the compactly stackable chair designed by David Rowland in 1964. Forty chairs can be stacked within a height of 4 feet (120 cm), giving the chair its name. Over time it has received a number of design awards and is in the permanent collection of the Museum of Modern Art in New York, as well as other museums internationally.
The Ant was named for its approximate similarity to the outline of an ant with its head raised. [3] [4] [5] The chair was designed to be light, stable, easy to stack up, and to minimise tangling the user's feet.