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Chōjū-jinbutsu-giga is credited as being the oldest work of manga in Japan, and is a national treasure as well as many Japanese animators believe it is also the origin of Japanese animated movies. [ 8 ] [ 14 ] In Chōjū-jinbutsu-giga the animals were drawn with very expressive faces and also sometimes used "speed lines", a technique used in ...
The prints are unsigned, but they are attributed to Kitagawa Utamaro (c. 1753 – 1806). [6] The preface is signed with the pen name Honjo no Shitsubuka ("Profligate of Soggy Honjo"); amongst those suspected to have written it are the writer and poet Tōrai Sanna (1744–1810) and the poet Akera Kankō [] (1740–1800). [6]
Bakemono no e (化物之繪, "Illustrations of Supernatural Creatures"), also known by its alternate title Bakemonozukushie (化物尽繪, "Illustrated Index of Supernatural Creatures"), is a Japanese handscroll of the Edo period depicting 35 bakemono from Japanese folklore. The figures are hand-painted on paper in vivid pigments with accents ...
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
Japanese manga has developed a visual language or iconography for expressing emotion and other internal character states. This drawing style has also migrated into anime, as many manga are adapted into television shows and films and some of the well-known animation studios are founded by manga artists.
La parisienne japonaise shows a sophisticated woman in an elegantly decorated blue kimono, with a fan in her right hand, standing in front of a mirror in which she looks at herself somewhat absentmindedly. The mirrored image also gives the viewer an impression of the space in which she is located.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Colors known as yurushiiro (許し色, "permissible colors") were permitted for use by the common people. Most names of colors originate from the names of plants, flowers, and animals that bore or resembled them.