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The Palazzo Pubblico (town hall) is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena 's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). [ 1 ]
The frescoes on the walls of the Room of the Nine (Sala dei Nove) or Room of Peace (Sala della Pace) in Siena's Palazzo Pubblico are one of the masterworks of early Renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic.
The paintings are located in Siena's Palazzo Pubblico—specifically in the Sala dei Nove ("Salon of Nine"), the council hall of the Republic of Siena's nine executive magistrates, [2] elected officials who performed executive functions (and judicial ones in secular matters). The paintings have been construed as being "designed to remind the ...
The murals in the Palazzo Pubblico were commissioned by the Council of Nine, Siena's ruling body. The murals capture important triumphs in the history of Siena. From the beginning of the 14th century the city council commissioned murals of castles and cities that were conquered by Siena.
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The painting was installed in the cathedral on 9 June 1311 after a procession of the work in a loop around the city. One person who witnessed this event wrote: And on that day when it was brought into the cathedral, all workshops remained closed, and the bishop commanded a great host of devoted priests and monks to file past in solemn procession.
Among his first documented works is the Maestà of 1315 in the Palazzo Pubblico in Siena. [1] Lippo Memmi painted a similar Maestà for the Palazzo Comunale in San Gimignano shortly afterwards, an example of the enduring influence Simone's prototypes would have on other artists throughout the 14th century.
In 1406, Taddeo was commissioned to repaint the interior the chapel of the Palazzo Pubblico of Siena, which involved destroying all the existing paintings. Many of his new paintings represent the Life of the Madonna, including the Death of the Virgin in which Jesus descends, takes her hand, and receives her in the form of an infant. [3]