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Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train. The neckline was square and might reveal the kirtle ...
Men typically wore an overcoat called a cioppa, which had lining of a different color than the main fabric, a defining feature of fashion during the Italian Renaissance. Men typically wore hose or tights that emphasized their lower bodies. Men and women wore outer clothes with detachable and often slashed sleeves of varied designs. Wealthy ...
Men's shoes c. 1600 Elizabeth I's shoes, 1592. Fashionable shoes for men and women were similar, with a flat one-piece sole and rounded toes. Shoes were fastened with ribbons, laces or simply slipped on. Shoes and boots became narrower, followed the contours of the foot, and covered more of the foot, in some cases up to the ankle, than they had ...
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
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A man's doublet was worn above a shirt, and it was sometimes sleeveless or had tight or detachable sleeves. It was either made of wool or a kersey, which was a rough canvas material that would be mixed with wool. [5] Until 1540, doublets had laces that would allow the hose to be tied to it. [5]
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Back view of a knee-length Italian cioppa or houppelande of figured silk. One sleeve is turned back to the shoulder to reveal the lining and the doublet sleeve beneath. Sienna, 1442. Philip the Good, Duke of Burgundy, wears an elaborately draped chaperon with a black-on-black figured silk short robe with width at the shoulder, 1447–1448.