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El Matadero, La Cautiva José Esteban Antonio Echeverría (2 September 1805 – 19 January 1851) was an Argentine poet, fiction writer, cultural promoter, and liberal activist who played a significant role in the development of Argentine literature , not only through his own writings but also through his organizational efforts.
The Spanish name Torre de la Cautiva, meaning 'Tower of the Captive (Lady)', is a "fanciful" name that does not have a historical reasoning. [2]: 58 The Arabic inscriptions inside the tower refer to it as the qalaḥurra, meaning a "tower palace" or a military tower used as a dwelling. [3]: 275 [2]: 58
Interior de la Torre de la Cautiva: Date: 30 May 2014 (according to Exif data) Source: Own work: Author: Alfaguara56: Licensing.
The South Matadero, Buenos Aires (water colour by Emeric Essex Vidal, 1820).The story was set there about 20 years later. The Slaughter Yard (Spanish El matadero, title often imprecisely translated as The Slaughterhouse, is a short story by the Argentine poet and essayist Esteban Echeverría (1805–1851).
The building's original medieval interior has not been preserved intact, but its general layout has remained the same. [4] It features a simple floor plan with a nearly square central courtyard (measuring 16.8 by 15.6 meters [2]) surrounded by a three-story gallery, similar to funduqs in Morocco such as those of Fez.
The Torre de la Polvóra. The Torre de la Polvóra ('Gunpowder Tower') is a small tower that stands at southern base of the Torre de la Vela. The southern ramparts of the Alcazaba became strategically more important in the 15th century as gunpowder artillery became a regular part of siege warfare.
It arose from the decision made in 1458 by the community of the monastery of Santa María de El Paular. Construction began in 1506 once its site was established, after the transfer of land by the Great Captain, Gonzalo Fernández de Córdoba.
"Story of the Warrior and the Captive" (original Spanish "Historia del Guerrero y la cautiva") is a short story by Argentine writer Jorge Luis Borges. It first appeared in 1949 in the short story collection El Aleph and later appeared in Labyrinths .
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