Search results
Results from the WOW.Com Content Network
Iranian Intermezzo, [2] or Persian Renaissance, [3] was a period in Iranian history which saw the rise of various native Iranian Muslim dynasties in the Iranian Plateau, after the 7th-century Arab Muslim conquest and the fall of the Sasanian Empire.
A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
The history of Iran (or Persia, as it was known in the Western world) is intertwined with Greater Iran, a sociocultural region spanning from Anatolia to the Indus River and from the Caucasus to the Persian Gulf. Central to this area is modern-day Iran, which covers the bulk of the Iranian plateau.
Dancers on a piece of ceramic from Cheshmeh-Ali (Shahr-e-Rey), Iran, 5000 BC now at the Louvre. The people of the Iranian plateau have known dance in the forms of music, play, drama or religious rituals and have used instruments like mask, costumes of animals or plants, and musical instruments for rhythm, at least since the 6th millennium BC.
Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
The term Iranian Intermezzo [b] represents a period in Middle Eastern history that saw the rise of various native Iranian Muslim dynasties on the Iranian Plateau. This term is noteworthy since it was an interlude between the decline of Abbasid rule and the eventual emergence of the Seljuk Turks in the 11th century. The Iranian revival consisted ...
In the Balochi language, the term "gowati" refers to psychologically ill patients who have recovered through music and dance. [43] [44] The earliest researched dance from Iran is a dance worshiping Mithra, the Zoroastrian angelic divinity of covenant, light, and oath, which was used commonly by the Roman Cult of Mithra. [45]
In modern times, Bahram Beyzai has made the most significant contribution in the historiography of Persian theatre with his seminal book, A Study on Iranian Theatre (1965). [25] Other works include Willem Floor's book, The History of Theater in Iran (2005), [26] and William O. Beeman's book, Iranian Performance Traditions (2011). [27]