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Literary violence has been used, over the course of history, as an allegory of the complexities of human communication and relationships – a representation of unresolved social conflicts. Tales of epic poetry, for instance, have demonstrated the extremes people may commit to remain loyal to and defend their community, especially in a war ...
The literary purpose of conflict is to create tension in the story, making readers more interested by leaving them uncertain which of the characters or forces will prevail. [2] There may be multiple points of conflict in a single story, as characters may have more than one desire or may struggle against more than one opposing force. [3]
In conflicts, destructive behaviours can also appear: violence, coercion, intimidation, blackmailing, deception und seduction. [46] Negative emotions such as anger and fear make it difficult to work through the differences. [47] [1] Moreover, anger is often contagious, because a person who is met with anger reacts in turn more often angrily. [48]
Further massive conflicts during the comics' present, such as the "Apocalypse War" against East-Meg (the government of the former Soviet territories) and the "Day Of Chaos" has caused even more destruction. Axa is set on a post-apocalyptic Earth in the year 2080. Axa is a woman who, having grown sick of the regimented and stifling society ...
[155] [156] Although there is a widespread perception that war is the most dangerous form of armed violence in the world, the average person living in a conflict-affected country had a risk of dying violently in the conflict of about 2.0 per 100,000 population between 2004 and 2007. This can be compared to the average world homicide rate of 7.6 ...
Peacebuilding is an activity that aims to resolve injustice in nonviolent ways and to transform the cultural and structural conditions that generate deadly or destructive conflict. It revolves around developing constructive personal, group, and political relationships across ethnic, religious, class, national, and racial boundaries.
In narrative, an internal conflict is the struggle occurring within a character's mind. Things such as what the character yearns for, but can't quite reach. As opposed to external conflict, in which a character is grappling some force outside of themself, such as wars or a chain-breaking off a bike, or not being able to get past a roadblock.
As a result, the interaction between the parties quickly degenerates and assumes a mutually destructive, alienating, and dehumanizing character. For most people, according to transformative theory, being caught in this kind of destructive interaction is the most significant negative impact of conflict.