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Picasso's Blue Period began in late 1901, following the death of his friend Carlos Casagemas and the onset of a bout of major depression. [4] It lasted until 1904, when Picasso's psychological condition improved. The Rose Period is named after Picasso's heavy use of pink tones in his works from this period, from the French word for pink, which ...
This self-portrait of Picasso was painted in 1901, when he was a young man aged 19 who had recently arrived in Paris. The year was a significant point in the artist's career, as it was in the June of that year when Picasso's career as an artist was launched at his first exhibition at the gallery of Ambroise Vollard.
Head of a Young Woman is a 1906 oil painting by Pablo Picasso. It depicts the portrait of a young woman with long, dark hair. The painting dates from Picasso's Rose Period, during a trip that he made to the Catalan village of Gósol. It was owned by Spanish banker Jaime Botín until it was seized by the Spanish state in 2015.
While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work ...
The portrait of the woman was lost when Picasso painted over it, probably a few months afterward, in 1901 to depict his sculptor friend Mateu Fernández de Soto sitting at a table in hues of blues ...
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
In 2006, David J. Chalif M.D. remarked on the significance of the painting. "Universally recognized as one of the classic and pivotal works of Picasso's late Rose period, Portrait of Gertrude Stein brilliantly captures the psychological character of one of the great American writers and cultural figures of the last century." [2]
X-ray photographs show that Picasso first executed a self-portrait that he later replaced by the portrait of his friend. [13] This fact and the circumstance that the confrontation of the two groups happens within a studio makes it verisimilar that self-reflective questions of the young artist are addressed in La Vie. [14]