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Interval between one musical pitch and another with half or double its frequency. Twelve semitones equal an octave, so do the first and the eighth (hence "oct"ave) note in a major or minor scale. ohne Dämpfer (Ger.) Without a mute omaggio Homage, celebration one-voice-per-part
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A short connecting instrumental movement – an intermezzo Intermezzo: interval: A short connecting instrumental movement Libretto: little book: A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A ...
Anarâškielâ; العربية; Aragonés; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца)
In Western musical theory, a cadence (from Latin cadentia 'a falling') is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards. [2] A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [3]
An outro (sometimes "outtro", also "extro") is the opposite of an intro. Outro is a blend of out and intro.. The term is typically used only in the realm of popular music.It can refer to the concluding track of an album or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops.
A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial, and one near the end of a line is terminal. Initial and terminal caesurae are rare in formal, Romance, and Neoclassical verse, which prefer medial caesurae.
Many songs in rock and other genres of popular music have sections identifiable as codas. A coda in these genres is sometimes referred to as an "outro", while in jazz, modern church music and barbershop arranging it is commonly called a "tag". One of the most famous codas is found in the 1968 single "Hey Jude" by the Beatles. The coda lasted ...