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Looking for ideas for a new subject, Adès saw Jonathan Kent's staging of Shakespeare's The Tempest at the Almeida Theatre in London in 2000. [7] For a new libretto, Adès turned to the experienced dramatist Meredith Oakes, whose work had included a short opera libretto for Miss Treat (2002); since the early 1990s, several original plays, translations and adaptations of classics and modern ...
Opera: 2003: The Tempest: for soloists, chorus and orchestra: libretto by Meredith Oakes based on the play by William Shakespeare; in 3 acts Orchestral: 2004: Overture to The Tempest: for orchestra: Vocal: 2004: Scenes from The Tempest: for Soloists and orchestra: Concertante: 2005: Violin Concerto: for violin and chamber orchestra: subtitled ...
The Tempest (2009) Tevot, Violin Concerto, Three Studies from Couperin, Dances from Powder Her Face (2010) Thomas Adès: Anthology (2011) including Concert Paraphrase on Powder Her Face and Three Mazurkas; In Seven Days (Signum Classics, Nicholas Hodges, Rolf Hind, Thomas Adès, 2011) Polaris (2012), download release.
The Tempest is a 1960 American TV movie based on the play by William Shakespeare. Airing on NBC , it was directed by George Schaefer , who said the play was ideal for TV because it could be easily done in 90 minutes.
The Tempest (1998 film) The Tempest (2010 film) Y. Yellow Sky This page was last edited on 2 July 2013, at 14:24 (UTC). Text is available under the Creative Commons ...
Category: Operas by Thomas Adès. ... The Tempest (opera) This page was last edited on 30 March 2013, at 16:07 (UTC). Text is available under the Creative ...
The British Film Institute describes Stow's The Tempest as "Comfortably the most visually imaginative and cinematically adventurous silent British Shakespeare film". Unlike William Kennedy Dickson's 1899 film version of King John and Charles Urban's 1905 film of The Tempest, both of which were simply films of Herbert Beerbohm Tree's stage productions, Stow's film was a condensed version of the ...
"Full fathom five" is the beginning of the second stanza of "Ariel's song", [3] better known than the first stanza, and often presented alone. It implicitly addresses Ferdinand who, with his father, has just gone through a shipwreck in which the father supposedly drowned. Full fathom five thy father lies; Of his bones are coral made;
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