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Frederico "Fredo" Corleone is a fictional character in Mario Puzo's 1969 novel The Godfather. Fredo is portrayed by American actor John Cazale in the Francis Ford Coppola 1972 film adaptation and in the 1974 sequel, The Godfather Part II. Fredo is the second son of the Mafia don Vito Corleone (Marlon Brando and Robert De Niro).
Johnny Ola is a fictional character in The Godfather Part II. He is portrayed by Dominic Chianese. [11] Johnny Ola is a mobster and right-hand man to Jewish mobster Hyman Roth. [12] He is an enforcer and "made man" of one of Five Families of New York City. Ola is Sicilian but speaks American English with a New York accent.
John Holland Cazale (/ k ə ˈ z æ l /; August 12, 1935 – March 13, 1978) [2] was an American actor. He appeared in five films over seven years, each of which was nominated for the Academy Award for Best Picture at their respective awards ceremonies.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
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