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Duruflé scored the work for a solo voice in the central movement, Pie Jesu, and a mixed choir, accompanied by organ or orchestra. The composer dedicated the Requiem to the memory of his father. [4] The Requiem was published in 1948 by the French publishing house Durand, first issued in a version for SATB choir and organ. [5]
In 1947 he completed probably the most famous of his few pieces: the Requiem op. 9, for soloists, choir, organ, and orchestra. He had begun composing the work in 1941, following a commission [5] from the Vichy regime. Also in 1947, Marie-Madeleine Chevalier became his assistant at St-Étienne-du-Mont. They married on 15 September 1953. [6]
Mark Rochester of Gramophone writes of the 'highly polished, virtually flawless sound of the Houston Chamber Choir' on the project. [6] James Manheim of AllMusic writes 'The album presents all of Duruflé's choral music, which fits conveniently on one CD, and it offers both distinctive performances and really superb recording of an impressive organ.'. [7]
In recordings, the motets are often combined with Duruflé's Requiem, sharing the same approach of polyphonic music based on Gregorian chant. They have been recorded for example by King's College Choir, conducted by Stephen Cleobury and the Corydon Singers conducted by Matthew Best. [3]
In a 2014 recording entitled Music for Remembrance, O'Donnell combined Duruflé's Requiem, in the orchestral version, with choral works written in memory of those fallen in the World Wars, including Three Prayers of Dietrich Bonhoeffer set by Philip Moore and The peace that surpasseth understanding by John Tavener, performed by soloists ...
Five sharps may refer to: B major, a major musical key with five sharps; G-sharp minor, a minor musical key with five sharps; The Five Sharps, a short-lived music group
The final pages of John Foulds' A World Requiem are written in G♯ major (with F in the key signature), No. 18 of Anton Reicha's Practische Beispiele is written in B# major, and the third movement of Victor Ewald's Brass Quintet Op. 8 is written in F♭ major (with B in the key signature). [4] [5] Examples of theoretical key signatures are ...
Lachrimosa (from Requiem) Richard Strauss Trio from Act III of Der Rosenkavalier Bach Gigue from Partita No. 1 in B-flat BWV 825: Beethoven: Finale of Piano Concerto No. 5 (Emperor) Rossini: Nacqui all'affanno...Non piu mesta (from La Cenerentola) Schubert The Shepherd on the Rock Beethoven String Quartet Op.130 (5th mvmt, Cavatina) 13 May 1995
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