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"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175. [2]
Young Woman with Unicorn; Artist: Raphael: Year: c. 1505-1506: Type: ... Portrait of Young Woman with Unicorn is a painting by Raphael, which art historians date c ...
Woman with a Veil (La donna velata) Palazzo Pitti, Florence, Italy: Oil on canvas 82 x 60,5 1515–1516: Portrait of Tommaso Inghirami: Palazzo Pitti, Florence, Italy: Oil on panel 89,5 x 62,8 c. 1516: Portrait of Tommaso Inghirami: Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 89,7 x 62,2 c. 1516: Portrait of Cardinal ...
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
La donna gravida (or simply La gravida; Italian for "The Pregnant Woman") is an oil on wood portrait by the Italian High Renaissance artist Raphael.It was painted between 1505 and 1506, during Raphael's stay in Florence, Italy.
Portraits by Raphael — the Italian Renaissance painter. Pages in category "Portraits by Raphael" The following 28 pages are in this category, out of 28 total.
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona.It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael.
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