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La cetra (Vivaldi) Il cimento dell'armonia e dell'inventione; Concerto alla rustica; Concerto for Two Cellos, RV 531; Concerto for Two Trumpets (Vivaldi) Concerto in C major, RV 558; Concerto in C major, RV 559
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Antonio Vivaldi wrote a set of concerti for violin, strings and continuo, Op. 12, in 1729. Concerto No. 1 in G minor, RV 317; Allegro Largo Allegro. Concerto No. 2 in D minor, RV 244; Allegro Larghetto Allegro. Concerto No. 3 in D Major, RV 124; Allegro Grave Allegro. Concerto No. 4 in C Major, RV 173; Largo spiccato – Allegro Largo Allegro
La Cetra, Op.9. La cetra, Op. 9, is a set of twelve violin concertos by Antonio Vivaldi, published in 1727.All of them are for violin solo, strings, and basso continuo, except No. 9 in B flat, which features two solo violins.
Six Violin Concerti, Op. 6, is a set of concertos written by Antonio Vivaldi in 1712–1715. [1] The set was first published in 1719 in Amsterdam. Concerto No. 1 in G minor, RV 324
For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)
Antonio Vivaldi's Concerto for Two Trumpets in C major, RV 537, [1] is a concerto for two trumpets, string orchestra and basso continuo in three movements, believed to have been composed in the 1720s. It is Vivaldi's only trumpet concerto. It was published by Ricordi in 1950 after its manuscript was found in a Turin library.
This is a complete list of operas by Antonio Vivaldi (1678–1741). He claimed to have composed 94 operas, but fewer than 50 titles have been identified, of which the scores of only 20 or so survive, wholly or in part. Moreover, the practice of reviving works under a different title and of creating pasticci has confused musicologists.