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Any clothing used by performers (singers, actors, or dancers) on stage may be referred to as stage clothes. More specifically, the term is sometimes used only for those clothes which are specially made for the stage performance by a costume designer or picked out by a costume coordinator .
Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Ribeiro, Aileen: The Art of Dress: Fashion in England and France 1750–1820, Yale University Press, 1995, ISBN 0-300-06287-7
The Colonial Theater in 1921. The Colonial Theater was built on the site of a Center City Allentown mansion owned by John Dodson Stiles, a lawyer who represented Pennsylvania's 7th congressional district in the U.S. House of Representatives during the Civil War. In the 1870s, Stiles returned to Allentown, where he practiced law until his death ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0810963175; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0300095805; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0688028934
Dress Circle is a British specialist store that sells products related to the musical theatre, including cast albums, books, merchandise, and memorabilia. From 1978 until 2013, it operated a store near Covent Garden , London ; since 2013 it has been an online-only retailer.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
The technology, art, politics, and culture of the 19th century were strongly reflected in the styles and silhouettes of the era's clothing. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns ...
Called the tignon laws, they prescribed and enforced oppressive public dress for female gens de couleur in colonial society. Historian Virginia M. Gould notes that Miró hoped the law would control women "who had become too light skinned or who dressed too elegantly, or who, in reality, competed too freely with white women for status and thus ...
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