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California Poetry: From the Gold Rush to the Present (California Legacy) (editor, with Chryss Yost and Jack Hicks) (2003) The Misread City: New Literary Los Angeles (editor, with Scott Timberg) (2003) Twentieth-Century American Poetry (editor, with David Mason and Meg Schoerke) (2004) "The Art of the Short Story" (editor, with R. S. Gwynn) (2006)
During this time, she became interested in elements of language poetry and other theory-based poetics and began writing prose poems, developing into the prose narrative. [2] From 1987 to 2002, she was core faculty in the poetics program at the New College of California in San Francisco, founded for the poet Robert Duncan. [3]
A sunflower, a typical summer kigo. Japanese haiku poets often use a book called a saijiki, which lists kigo with example poems. An entry in a saijiki usually includes a description of the kigo itself, together with a list of similar or related words, and some examples of haiku that include that kigo. [14]
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
An unusually cold weather system from the Gulf of Alaska interrupted summer along the West Coast on Saturday, bringing snow to mountains in California and the Pacific Northwest and prompting the ...
In a rare recording, Jeffers can be heard reading his "The Day Is a Poem" (September 19, 1939) on Poetry Speaks – Hear Great Poets Read Their Work from Tennyson to Plath, Narrated by Charles Osgood (Sourcebooks, Inc., c2001), Disc 1, #41; including text, with Robert Hass on Robinson Jeffers, pp. 88–95.
Here’s what garden and patio plants you can save for next spring. As the temperatures start to drop and sweater weather arrives, you may start to look sadly at your beautiful, lush garden plants.
The poems title reflects the tone of the poem, as it describes the team's 1956 heyday at their Ebbets Field ground, now long since demolished. The poem mentions many of the players associated with the club, celebrating their accomplishments and ends on a wistful note, that the writer can still see it if he closes his eyes, again bringing in the ...