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CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
The crooked man is reputed to be the Scottish General Sir Alexander Leslie, who signed a covenant securing religious and political freedom for Scotland. The "crooked stile" in the poem was the alliance between the parliaments of England and Scotland or the border between the two, depending on the source. "They all lived together in a little ...
[a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day.
"The Old Woman and Her Pig" is a cumulative English nursery rhyme which originally developed in oral lore form until it was collected and first appeared as an illustrated print on 27 May 1806 as "The True History of a Little Old Woman Who Found a Silver Penny" published by Tabart & Co. at No. 157 New Bond Street, London, for their Juvenile ...
Mary Collier (1688–1762) was an English poet, perhaps best known for The Woman's Labour, a poem described by one commentator as a "plebeian female georgic that is also a protofeminist polemic." [ 1 ]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Poetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque
Halfe's poetry reasserts the importance of women in Cree culture. Halfe works with Cree intellectual traditions in her poetry. [12] She tells women's stories to explore the link between creation and knowledge in Cree storytelling. [12] In The Crooked Good, Halfe explores Cree sacred history using a Cree feminist perspective. [12]