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"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. [2] John Julian in his A Dictionary of Hymnology calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first ...
Joachim Neander (1650 – 31 May 1680) was a German Reformed Church teacher, theologian and hymnwriter whose most famous hymn, Praise to the Lord, the Almighty, the King of Creation (German: Lobe den Herren, den mächtigen König der Ehren) has been described by John Julian in his A Dictionary of Hymnology as "a magnificent hymn of praise to God, perhaps the finest creation of its author, and ...
Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826). Written during the author's time as vicar in Hodnet, Shropshire, England, the text was first published posthumously in 1826. It was set to the tune "Nicaea," by John Bacchus Dykes, in the influential Hymns Ancient and Modern.
Come, Lord, and Tarry Not; Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose Aid; Crown Him With Many Crowns; Cry Out With ...
Lord of the Dance (hymn) The Lord's My Shepherd; Love Divine, All Loves Excelling; M. ... Praise to the Lord, the Almighty; Praise, my soul, the King of heaven; R.
El Shaddai (אל שׁדי) is most often translated as "God Almighty".. El-Elyon na Adonai (אל עליון נא אדני) is a combination of two names for God, meaning "God Most High, please my Lord".
Lord of the Dance (hymn) The Lord's My Shepherd; Love Divine, All Loves Excelling; ... Praise to the Lord, the Almighty; Praise, my soul, the King of heaven; R.
This category is for hymns that appear in the influential 1906 publication The English Hymnal.Hymns should ideally appear with both the text and modern tune (though this second part is not strictly required), as it would also allow for tracking with the related projects at Wikisource, namely, the hymnal with tunes and lyrics only, and inclusion of the relevant scores in the article.