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Risë Stevens (/ ˈ r iː s ə /; June 11, 1913 – March 20, 2013) was an American operatic mezzo-soprano and actress. Beginning in 1938, she sang for the Metropolitan Opera in New York City for more than two decades during the 1940s and 1950s. She was most noted for her portrayals of the central character in Carmen by Georges Bizet. [1]
Bizet, having removed during rehearsals his first version of Carmen's entrance song, in 3 4 with a refrain in 6 8, rewrote the Habanera several times before he (and Galli-Marié) were satisfied with it. [1] Nietzsche, an enthusiastic admirer of Carmen, commented on the "ironically provocative" aria evoking "Eros as conceived by the ancients ...
This is a discography of audio and video recordings of Carmen, a French-language opera by Georges Bizet. The opera premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen is one of the most frequently recorded operas, dating back to a near-complete German acoustical recording in 1908.
Carmen (French: ⓘ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy , based on the novella of the same title by Prosper Mérimée .
The Toreador Song, also known as the Toreador March, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
Habanera, guitar composition by Eduardo Sainz de la Maza; Habanera, guitar composition by Xavier Montsalvatge "Habanera" (aria), popular name of an aria "L'amour est un oiseau rebelle" from Bizet's opera Carmen; Habanera (John Harle album), a 1987 album by the English classical saxophonist John Harle; Habanera, a 2000 album by Celia Cruz
The two suites of music from Carmen were arranged by Ernest Guiraud, No. 1 in 1882 : Prélude—Aragonaise (Act IV Entr’acte)—Intermezzo (Act III Entr’acte)—Séguedille—Les dragons d’Alcalá (Act II Entr’acte)—Les toréadors, and No. 2 in 1887: Marche des contrebandiers—Habanera—Nocturne (Act III Air de Micaëla)—Chanson ...
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...