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Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Antonio Lucio Vivaldi [n 2] (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. [4] Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers.
The piece is a complete recomposition and reinterpretation of Vivaldi's violin concertos The Four Seasons. Although Richter said that he had discarded 75 percent of Vivaldi's original material, [1] the parts he does use are phased and looped, emphasising his grounding in postmodern and minimalist music. [2]
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
When Vivaldi worked in Venice, the cello sonata became a popular genre. Benedetto Marcello had composed six cello sonatas in a similar style shortly before Vivaldi. Eleanor Selfridge-Field writes: "the impetus for Vivaldi to write these works at such a late age may have come from the general popularity of the cello sonatas of the 1730s, or perhaps from the specific example of Marcello, who ...
The Concerto alla rustica, unlike some other of Vivaldi's concertos, did not include a descriptive programme. [2] It was composed some time between mid-1720 and 1730, during which time Vivaldi was working on his Contest Between Harmony and Invention, Op. 8—the work from which his best-known set of compositions, The Four Seasons, derives.