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"One Tin Soldier" is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Canadian pop group The Original Caste (consisting of Dixie Lee Innes, Bruce Innes, Graham Bruce, Joseph Cavender and Bliss Mackie) first recorded it in 1969 for both the TA label and its parent Bell label.
The songs employ the use of strings, horns, and organ which adds a swinging, pop-friendly sound. "One Tin Soldier" was a hit in Canada and reached No. 34 on the U.S. Billboard Hot 100 chart in 1970. [3] The follow-up single, "Mr. Monday", was a big hit in Japan and Canada but not in the United States. The two singles combined, worldwide, sold ...
A cover of Canadian band The Original Caste, the film's theme song, "One Tin Soldier" was recorded by Jinx Dawson, of the band Coven, with session musicians providing the backing and later a re-recording, renamed as "One Tin Soldier (The Legend of Billy Jack)", credited to the band Coven, became a Top 40 hit in 1971 and again in 1973.
Davis's recording of the anti-war song "One Tin Soldier", released in 1972, earned her an appearance on The Midnight Special. [64] The single was a major success in Canada, peaking as a top-ten hit on RPM country and adult contemporary charts. [65]
In 1971, the band released a self-titled album that included "One Tin Soldier". Their third album, Blood on the Snow, was produced by Shel Talmy and released by Buddah Records in 1974. After multiple unlicensed CD releases of the Witchcraft album over the years, it was officially released on the band's own Nevoc label in 2007.
"One More Parade" Phil Ochs: 1971 "One Tin Soldier" Coven: 1988 "Orange Crush" R.E.M. 1972 "The Patriot's Dream" Gordon Lightfoot: 1971 "People, Let's Stop the War" Grand Funk Railroad: 1968 "Por Vietnam" Quilapayún: 1970 "Question" The Moody Blues: 1972 "Readjustment Blues" John Denver: 1967 "Requiem for the Masses" The Association: 1992 ...
The 4th chord in the One Tin Soldier progression is the tonic. If they were exactly the same progression, it might warrant mention, but so many musical pieces share parts of chord progressions that any mention of the similarities of these two works implies a significance that does not exists.
By 1966, despite being one of the highest-grossing live acts in the country and scoring many successful singles, including four UK Top 10 chart hits, the group still had little money. After a confrontation with Arden who tried to face down the boys' parents by claiming that the whole band were using drugs, they broke with both Arden and Decca.
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