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Coded anti-piracy (CAP) is an anti-copyright infringement technology which marks each film print of a motion picture with a distinguishing pattern of dots, used as a forensic identifier to identify the source of illegal copies.
The destructive misanthrope is said to be driven by a hatred of humankind and aims at tearing it down, with violence if necessary. [7] [40] For the fugitive misanthrope, fear is the dominant emotion and leads the misanthrope to seek a secluded place in order to avoid the corrupting contact with civilization and humanity as much as possible. [7] [9]
Misanthrope Immortel, sixth studio album by French metal band Misanthrope; Symphony for a Misanthrope, fifth studio album by progressive metal /rock band Magellan; Misanthropic, a 1997 EP by Dismember; Misanthropy Records, a British record label; Philanthropy, the love of humanity
Le cap perdu (The Lost Cape) is a 1931 British-made drama film directed by Ewald André Dupont and starring Harry Baur, Henri Bosc and Jean-Max. [1] It was a French-language version of the film Cape Forlorn made by British International Pictures intended for distribution in France.
The Misanthrope is a 1974 Australian film adaptation of the play The Misanthrope by Moliere. It was one of a series of four play adaptations the ABC made around this time, others including Hamlet, A Hard God and Spoiled. [2] [3] John Tasker produced the original stage production for the Greenroom Society at the University of New South Wales ...
The Misanthrope, or the Cantankerous Lover (French: Le Misanthrope ou l'Atrabilaire amoureux; French pronunciation: [lə mizɑ̃tʁɔp u latʁabilɛːʁ amuʁø]) is a 17th-century comedy of manners in verse written by Molière. It was first performed on 4 June 1666 at the Théâtre du Palais-Royal, Paris by the King's Players. [1]
L'Avare is a 1980 French comedy film written and directed by Louis de Funès and Jean Girault, and starring de Funès. The English title of the film is The Miser. It is an adaptation of Molière's famous comedy L'Avare (The Miser). De Funès tried to draw out the unhappy side of the character.
Idealized sans-culotte by Louis-Léopold Boilly (1761–1845). The sans-culottes (French: [sɑ̃kylɔt]; lit. ' without breeches ') were the common people of the lower classes in late 18th-century France, a great many of whom became radical and militant partisans of the French Revolution in response to their poor quality of life under the Ancien Régime. [1]