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Italian music has been held up in high esteem in history and many pieces of Italian music are considered high art. More than other elements of Italian culture, music is generally eclectic, but unique from other nations' music. The country's historical contributions to music are also an important part of national pride.
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance Sonu a ballu in Calabria, tammurriata in Campania, and pizzica in Salento. Tarantella is popular in Southern Italy, Greece and Malta. The term may appear as tarantello in a linguistically masculine ...
The term Italian music is ambiguous and may refer to several topics: The music of Italy; The folk, popular, classical (especially opera) musics of Italy and the Italian peoples; The music of Italian people in the United States or other countries
1410-1415 — Compilation of the Squarcialupi Codex, the largest source of trecento music. c. 1400-c. 1600 Italian Renaissance Music. c. 1420-c. 1490 — Composition of polyphonic music enters a slow period. More great Italian performers than composers are known from this time. Rise of the influential d'Este and Medici political dynasties.
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The music of Florence is foundational in the history of Western European music.Music was an important part of the Italian Renaissance.It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further ...