Search results
Results from the WOW.Com Content Network
Some are already suggesting that Drake was inspired to name his most recent song after a line from “6:16 in LA” where Lamar raps, “Often, I know this type of power is gon’ cost / But I ...
"TSU" is a song by Canadian rapper Drake. Released on September 3, 2021, as the eighth track from Drake's sixth studio album Certified Lover Boy. It samples OG Ron C's chopped and screwed remix to R.Kelly's Half on a Baby. The song's intro and outro has featured vocals from the late DJ Screw.
The song was released alongside a music video beginning with a skit starring Adonis, Drake's son. In the skit, Adonis details how he created the For All the Dogs cover. He explains that the drawn goat on the cover represents his father, a reference to the "Greatest of All Time" acronym. [4] In the video, Drake raps alongside his son and his ...
The song was a source of controversy due to the song's lyrics describing Drake's deteriorating relationship with label mate Nicki Minaj. Despite not being released as a single, "Tuscan Leather" managed to chart due to the release of the album, with its highest peak being at number 23 on the U.S. Billboard Hot Rap Songs .
"Started from the Bottom" is a song by Canadian hip hop recording artist Drake, released as the first single from his third studio album Nothing Was the Same. [3] The song was written by Drake, Michael Coleman , and Noah "40" Shebib , and it was produced by Coleman under his stage name Mike Zombie, with additional production by Shebib.
"Same neighborhood where Ashton Kutcher live, I'm just doin' what that punk should have did," Drake raps on the two-minute, 21-second song. The bars feature an apparent play on words in reference ...
"What's Next" is a song by Canadian rapper Drake. It was released on March 5, 2021, as a single from Drake's fourth EP Scary Hours 2, through Republic Records and OVO Sound. [1] With the song's debut at the top of the US Billboard Hot 100, it became Drake's eighth US number-one single in the country. Additionally, it became his fourth song to ...
Denis wrote that "Drake’s villain era feels quite forced" while describing the production as "ominous oscillating synths". [7] The song received generally negative reviews from music critics. Nadine Smith of The Independent cited it as a song in which Drake "strains to fit over the futuristic 'rage' sound popularised by Playboi Carti."