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"White Nights" (Russian: Белые ночи, Belye nochi) is a short story by Fyodor Dostoevsky, originally published in 1848, early in the writer's career. Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator .
White Nights (Italian: Le notti bianche, French: Nuits blanches) is a 1957 romantic drama film directed by Luchino Visconti, based on Fyodor Dostoevsky’s 1848 short story of the same name. It was written for the screen by Visconti and Suso Cecchi d'Amico, and stars Maria Schell, Marcello Mastroianni, and Jean Marais. [2]
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
White Nights is a 1985 American musical drama film directed by Taylor Hackford and starring Mikhail Baryshnikov, Gregory Hines, Jerzy Skolimowski, Helen Mirren and Isabella Rossellini. [ 3 ] [ 4 ] It was choreographed by Twyla Tharp .
White Nights (Russian: Белые ночи, romanized: Belye nochi) is a 1992 Russian film directed by Leonid Kvinikhidze based on the novel of the same name by Fyodor Dostoyevsky. [1] The events of the picture are moved to the present day, the 1990s.
The film takes place in St. Petersburg in the middle of the 19th century in the summer. The film tells about a lonely dreamer, who meets a girl named Nastya, whom he immediately falls in love with.
Editor's note: Kent State lost to Buffalo 43-7 on Tuesday night to finish the season 0-12. Running back Jaylen Thomas’ 23-yard touchdown run with 2:28 left in the third quarter put the finishing ...
Saawariya (transl. Beloved) is a 2007 Indian Hindi-language romance film produced and directed by Sanjay Leela Bhansali, based on Fyodor Dostoevsky's 1848 short story White Nights. The film marked the debut of Ranbir Kapoor and Sonam Kapoor. It was the last film appearance of both Zohra Sehgal and Begum Para before their deaths.