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B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.
His Definitive Greatest Hits is a compilation album by American blues musician B.B. King. It was produced, sequenced & compiled by Richard M. Ganter and released on April 12, 1999, by Polygram Records .
B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album Completely Well, released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. [4] The song's polished production and use of strings marked a departure from both the original song and King's previous material.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
King of the Blues is a compilation album by American blues musician B. B. King covering the years 1949 through 1991. Released by MCA Records in 1992, the four CD box set includes some of King's most popular songs as well as some newer recordings.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.
King's version is a slow (65 beats per minute) [5] twelve-bar blues notated in 12/8 time in the key of C. [10] Blues historian Robert Palmer sees King's guitar work on the song as showing his T-Bone Walker influences, "though his tone was bigger and rounder and his phrasing somewhat heavier". [11]
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