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Sergei Prokofiev set about composing his Piano Concerto No. 1 in D-flat major, Op. 10, in 1911, and finished it the next year. The shortest of all his concertos, it is in one movement, about 15 minutes in duration, and dedicated to the “dreaded Tcherepnin .” [ 1 ]
A concert piece (German: Konzertstück; French: pièce de concert, also morceau de concert) is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment. [1]
The concerto is in one movement, but is broken into seven distinct sections. Each tells a different part of the story of the Butterfly Lovers. Some of the melodies come from the Chinese Opera of the same name or from traditional Chinese folk songs. The solo violin of the concerto is symbolic of Zhu Yingtai, the story's protagonist, and the ...
The second movement is in the key of A-flat major, in this context a key relatively remote from the concerto's opening key of C major. If the movement adhered to traditional form, its key would be F major, the subdominant key, or in G major, the dominant key. The clarinets are given an unusually prominent role in this movement, having the ...
The first movement was premiered on 17 March 1892 at the Moscow Conservatory, with the composer as soloist and Vasily Safonov conducting. This may have been the only time the composer played the concerto in its original form, although Siloti, to whom it is dedicated, programmed it to play himself on several occasions. [6]
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The concerto is scored for solo oboe and a small orchestra divided into two groups. The concertino group consists of the oboe, violas, and a percussionist.The larger group comprises flute (doubling piccolo, alto flute), clarinet (doubling bass clarinet), horn, trombone, one additional percussionist, and strings (violins I & II, violoncellos, and double basses).
One of Mozart's earliest concertos, the Concertone has similarities in form to the earlier concerto grosso form, as well as contemporary concertante works. Such as Joseph Haydn's symphonies nos. 6 to 8, "Le Matin", "Le Midi" and "Le Soir", and similar styled works by J. C. Bach. This form of writing was popular in Paris at the time.
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