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The Life and Art of Albrecht Dürer. Princeton, NJ: Princeton University Press, 1945. ISBN 0-691-00303-3; Price, David Hotchkiss. Albrecht Dürer's Renaissance: Humanism, Reformation and the Art of Faith. Michigan, 2003. ISBN 978-0-4721-1343-9. Strauss, Walter L. (ed.). The Complete Engravings, Etchings and Drypoints of Albrecht Durer.
The last column gives the number of the catalogue raisonné of Dürer's paintings, which Fedja Anzelewsky, lifelong affiliated with the Kupferstichkabinett Berlin, compiled and published in 1971, and revised 20 years later. The legend for the four different capitals following the chronological numbering is as follows:
The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
Pages in category "Paintings by Albrecht Dürer" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. ...
The Martyrdom of the Ten Thousand is an oil painting by Albrecht Dürer, dating to 1508 and now at the Kunsthistorisches Museum of Vienna, Austria.It is signed on a cartouche which hangs from the artist's self-portrait in the center, saying Iste faciebat Ano Domini 1508 Albertus Dürer Aleman.
Albrecht Dürer, Adoration of the Magi. 1504. 99 × 113.5 cm. Oil on wood. Uffizi, Florence. The Adoration of the Magi is a panel painting by Albrecht Dürer (1471-1528), produced under commission by Frederick the Wise for the altar of the Schlosskirche in Wittenberg. It is considered one of Dürer's best and most important works from the ...
Another work of art that express this apocalyptic prophecy of the world ending is Sandro Botticelli's Mystic Nativity Scene. [17] When the first edition of Dürer's woodcuts was published in 1498, this doomsday ideology was at its peak. Also occurring during this time period was the growing threat of a Turkish invasion into Europe.
Portrait of a Young Venetian Woman is a small bust-length oil on elm panel painting by the German artist Albrecht Dürer from 1505. [1] It was executed, along with a number of other high-society portraits, during his second visit to Italy. She wears a patterned gown with tied-on sleeves that show the chemise beneath.