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Social dance plays a significant role in our society because it brings people together in a way that nothing else does. Social dancing is just that - social. Its purpose is not for competition or for performance. It is fun and is part of culture and society. It serves "as the social center" and "the artistic release" in society. [1]
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
Elizabeth Aldrich (born February 26, 1947) is an American dance historian, choreographer, writer, lecturer, consultant, administrator, curator, and archivist. [1] She is internationally known for her research, performance, choreography, teaching, and lectures on Renaissance and Baroque court dance, nineteenth-century social dance, and twentieth-century ragtime dance.
A social dancing or ballroom dancing group class taught at the Arthur Murray Dance Studio in The Woodlands, Texas. Khigga is the most common social folk dance among Assyrian people. Social dances are dances that have social functions and context. [1] Social dances are intended for participation rather than performance. [2]
[3] In early 1900s dance and etiquette manuals paid attention to ceremonial details of the ballroom. Rules and rituals were established, including the correct ways of issuing party invitations and giving parties and balls, asking a partner to dance, appropriate conversation while dancing a quadrille, and wearing the latest ballroom fashions.
The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years.
Competition has long played an important role in social dance in African-American social dance, from the "battles"' of hip hop and lindy hop to the cakewalk. Performances have also been integrated into everyday dance life, from the relationship between performance and socializing in tap dancing to the "shows" held at Harlem ballrooms in the 1930s.