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In the early 20th century, Americans began pairing Victorian dances such as the Two-Step with Ragtime music. Other dances included the African American Cakewalk, and animal dances such as the Turkey Trot. The most popular social dance of the time was the One-Step. The dance consisted of couples taking one step on each beat of the music, so even ...
Social dance plays a significant role in our society because it brings people together in a way that nothing else does. Social dancing is just that - social. Its purpose is not for competition or for performance. It is fun and is part of culture and society. It serves "as the social center" and "the artistic release" in society. [1]
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
Postmodern dance is a 20th century concert dance movement that came into popularity in the early 1960s. While the term postmodern took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the ...
Dances of the aristocracy was an important courtly pastime as attested since at least the 14th century. The earliest known dance instruction books are dated by the 15th century and they described the dances of the high society. However, the earliest records of the dancing of ordinary folk date by the end of the 16th century. [2]
An early manuscript describing dance is the Natya Shastra on which is based the modern interpretation of classical Indian dance (e.g. Bharathanatyam). During the reign of the last Mughals and Nawabs of Oudh , dance fell down to the status of ' nautch ', an unethical sensuous thing of courtesans.
The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years.
McKayle formed and directed his own dance company, Donald McKayle and Dancers (1951–69), and was the head of the Inner City Repertory Dance Company from 1970 to 1974. [13] He maintained relationships with companies that are repositories of his work including the Alvin Ailey American Dance Theatre, the Cleveland San Jose Ballet , and the Los ...