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Ishibashi Foundation (kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター)) the artist observed a kugo in the Shōsōin and references the ancient subject of a beauty under a tree [8] 197.5 centimetres (6 ft 5.8 in) by 94.0 centimetres (3 ft 1.0 in)
The Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター) opened in Machida in 2015 as a research facility for the Artizon Museum. Focused upon the research, storage, and preservation and restoration of the collection, since 2017 school groups have been welcomed, there are also lectures and workshops for the public, and a library open to researchers.
Reminiscence of the Tempyō Era (天平の面影, Tempyō no omokage) is a 1902 painting by yōga artist Fujishima Takeji (1867–1943). Inspired by nostalgia for the Tempyō era [ 1 ] and, like his Butterflies and covers for the literary magazine Myōjō , an influential exemplar of Meiji romanticism , it has been designated an Important ...
Kurume City Art Museum (久留米市美術館, Kurume-shi Bijutsukan) opened as the successor to the Ishibashi Museum of Art in Kurume, Fukuoka Prefecture, Japan in 2016.It forms part of the Ishibashi Culture Center, which opened in 1956, alongside the studio of yōga painter Sakamoto Hanjirō (坂本繁二郎), relocated from Yame in 1980, and Shōjirō Ishibashi Memorial Museum, dedicated to ...
By the mid-Heian period, Chinese style kara-e painting was replaced with the classical Japanese yamato-e style, in which the images were painted primarily on sliding screens and byōbu folding screens. [8] At the close of the Heian period around 1185, the practice of adorning emakimono hand scrolls with yamato-e paintings flourished.
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A similar pair of screens made by Ogata Kōrin about 5 [3] to 12 [4] years later depicting irises is held by the Metropolitan Museum of Art in New York City. All four Irises screens were displayed together for the first time in almost a century [ 5 ] in 2012 at the "Korin: National Treasure Irises of the Nezu Museum and Eight-Bridge of The ...
The Cracked Ice screen is a late 18th-century low two-fold Japanese screen intended for use at the Japanese tea ceremony. It was created in the Edo period and is signed and sealed by the artist, Maruyama Ōkyo (1733–1795), founder of the Maruyama school of realist painting.