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A dough trough from Aberdour Castle, Fife, Scotland. A kneading trough is a term for the vessel in which dough, after being mixed and leavened was left to swell or ferment. The first citation of kneading-trough in the Oxford English Dictionary is Chaucer, The Miller's Tale, 1386. Flour was not stored, perhaps for fear of insect infestation, but ...
Native Americans worked these burls into domestic objects like bowls and ladles with tools such as stone blades, hot coals, and beaver teeth. [8] Native Americans traded these wooden items with European colonists, who later learned to harvest burl and carve them into treen in the style of their home countries. [6]
Trough zithers are a group of African stringed instruments or chordophones whose members resemble wooden bowls, pans, platters, or shallow gutters with strings stretched across the opening. [2] A type of zither , the instruments may be quiet, depending upon the shape of the bowl or string-holder.
Wooden trencher from Västergötland, Sweden, mid-17th century A modern cheeseboard A trencher (from Old French trancher 'to cut') is a type of tableware , commonly used in medieval cuisine . A trencher was originally a flat round of (usually stale ) bread used as a plate , upon which the food could be placed to eat. [ 1 ]
Ridge and furrow is an archaeological pattern of ridges (Medieval Latin: sliones) and troughs created by a system of ploughing used in Europe during the Middle Ages, typical of the open-field system. It is also known as rig (or rigg) and furrow, mostly in the North East of England and in Scotland. [1] [2] [3]
Then, the pot was painted, inscribed, or slipped. The last step was the firing of the vessel. Kilns were used to fire the vessels, and they were normally found outside in the open air. Unlike many modern kilns, they were fired by wood, charcoal, or even grass. Like the Ancient Greeks, the Maya created clay slips from a mixture of clays and ...
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
Larger applications included dishware, such as cups and bowls, and wall tiles, which were mostly used for temples. [4] The well-known blue hippopotamus figurines, placed in the tombs of officials, can be up to 20 cm (7.9 in) long, [ 5 ] approaching the maximum practical size for Egyptian faience, though the Victoria and Albert Museum in London ...
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