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Free, White and 21; Gone Are the Days! Shock Corridor; 1964. Black Like Me; Nothing But a Man; One Potato, Two Potato; 1965. A Patch of Blue; 1966. Lost Command; A Man Called Adam; A Time for Burning* 1967. Guess Who's Coming to Dinner (1 remake: 2006) Hurry Sundown; In the Heat of the Night (2 sequels: 1970, 1971) The Story of a Three-Day Pass ...
In the Deep South of the United States prior to the American Civil War, Falconhurst is a run-down plantation owned by widower Warren Maxwell and largely run by his son, Hammond. Hammond and his cousin, Charles, visit a plantation where both men are given black women out of hospitality. Hammond chooses Ellen, who is a virgin. Both she and ...
[17] The short-lived white-owned Ebony Film Corporation's was founded in 1915, but the white ownership's poor judgement about its stereotype-laden films aimed at both white and Black audiences led to a public outcry from Black audiences in the wake of divisive anger about The Birth of a Nation. [18] The company shut its doors in 1919, as a ...
The Woman King. Gina Prince-Bythewood's Oscar-worthy (yes, we're still mad about the snub) action saga centers on an all-female group of warriors who protect the African kingdom of Dahomey.
The Woman in Green: 1945: 1989: American Film Technologies [786] 2005: Legend Films [787] The Woman in the Window: 1944: 1996: MGM (Color Systems Technology) [239] [788] Woman of the Year: 1942: 1989: Turner Entertainment [789] A Woman's Secret: 1949: 1991: Turner Entertainment [790] World War II: From The Frontlines: 2023: 2023: Netflix Series ...
Ouanga is the second film to feature zombies, after the 1932 film White Zombie. [6] Black actress Fredi Washington was cast to play the "tragic mulatto" role of Klili Gordon while white actor Sheldon Leonard was cast as LeStrange, the black man who looks over Adam's plantation.
On one hand, Jones ably combats Mommy's male henchmen, but on the other, she maintains a loving relationship with Reuben. Cleopatra and Reuben's relationship can be considered a more progressive look at black male and black female relations at the time. [6] Reuben is a strong black man who also cares for recovering kids at the B&S House.
These films focus on the culture and life of African-Americans, Hispanic-Americans, and, in some cases, Asian-Americans or White Americans who live in segregated, low-income urban communities. This list also includes comparably economically disenfranchised and crime adjacent communities in other countries such as the UK and Canada.