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Published in 1969, his Six Glasgow Poems has been called 'epoch-making'. [1] The poems were first published as an insert in Glasgow University Magazine. [9]In 1984, he released Intimate Voices, a selection of his work from 1965 onwards including poems and essays on William Carlos Williams and "the nature of hierarchical diction in Britain."
His poem (and song) "Auld Lang Syne" is often sung at Hogmanay (the last day of the year), and "Scots Wha Hae" served for a long time as an unofficial national anthem of the country. [50] Burns's poetry drew upon a substantial familiarity with and knowledge of Classical, Biblical, and English literature, as well as the Scottish Makar tradition ...
SCOTS is a multimedia corpus, containing written texts and spoken texts, available as orthographic transcriptions, accompanied by source audio or video files.SCOTS includes a large number of genres and text types, including prose fiction, poetry, business and personal correspondence, religious texts, parliamentary and administrative documents, emails, conversations and interviews.
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The Glasgow dialect, also called Glaswegian, varies from Scottish English at one end of a bipolar linguistic continuum to the local dialect of West Central Scots at the other. [ 1 ] [ 2 ] Therefore, the speech of many Glaswegians can draw on a "continuum between fully localised and fully standardised". [ 3 ]
William Angus McIlvanney (25 November 1936 – 5 December 2015) was a Scottish novelist, short story writer, and poet. [1] He was known as Gus by friends and acquaintances. [2]
Glaswegian is the associated adjective and demonym of Glasgow, a city of the Scottish Lowlands in Scotland. It may refer to: Anything from or related to the city of Glasgow, in particular: The people of Glasgow (see also List of people from Glasgow) The Glasgow dialect of English and Scots
Ivor Cutler (born Isadore Cutler, [1] 15 January 1923 – 3 March 2006) was a Scottish poet, singer, musician, songwriter, artist and humorist.He became known for his regular performances on BBC radio, and in particular his numerous sessions recorded for John Peel's influential eponymous late-night radio programme (on BBC Radio 1), and later for Andy Kershaw's programme.