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In music and music theory, a hexatonic scale is a scale with six pitches or notes per octave. Famous examples include the whole-tone scale, ...
If one excludes modes with 0, 1, 11 or 12 notes which can be construed as too extreme, there are 15 generalized Messiaen modes which are represented on clock diagrams. Some of the ones omitted by Messiaen are arguably of musical importance, like the hexatonic collection 0 1 4 5 8 9.
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
In music, the "Ode-to-Napoleon" hexachord (also magic hexachord [3] and hexatonic collection [4] or hexatonic set class) [5] is the hexachord named after its use in the twelve-tone piece Ode to Napoleon Buonaparte Op. 41 (1942) by Arnold Schoenberg (setting a text by Byron).
Chromatic circle diagrams of the four common ancohemitonic heptatonic scales. A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode)
The butterfly diagram show a data-flow diagram connecting the inputs x (left) to the outputs y that depend on them (right) for a "butterfly" step of a radix-2 Cooley–Tukey FFT algorithm. This diagram resembles a butterfly as in the Morpho butterfly shown for comparison, hence the name. A commutative diagram depicting the five lemma
The above eight rules apply to a chart of a variable value. A second chart, the moving range chart, can also be used but only with rules 1, 2, 3 and 4. Such a chart plots a graph of the maximum value - minimum value of N adjacent points against the time sample of the range.
Conversely, transpositions by 2, 5, 8, or 11 semitones acts in the reverse way; the E ♭ scale goes to the D scale, D to C ♯ and C ♯ to E ♭. Thus, the set of transpositions acts on the set of diminished collections as the integers modulo 3.
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