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Concerto for tenor saxophone and orchestra (1992)—Eric Ewazen; Concerto for tenor saxophone and orchestra with piano obbligato (2007)—David DeBoor Canfield "Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015 ...
The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...
Houston Person (born November 10, 1934) is an American jazz tenor saxophonist and record producer. Although he has performed in the hard bop and swing genres, he is most experienced in and best known for his work in soul jazz. He received the "Eubie Blake Jazz Award" in 1982.
He also played with a tenor saxophone hero, Coleman Hawkins, and free jazz pianist Paul Bley on Sonny Meets Hawk!, and he re-examined jazz standards and Great American Songbook melodies on Now's the Time and The Standard Sonny Rollins (which featured pianist Herbie Hancock). In 1963, he made the first of many tours of Japan. [38]
Pages in category "American jazz tenor saxophonists" The following 176 pages are in this category, out of 176 total. This list may not reflect recent changes .
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25.
Scott Hamilton (born September 12, 1954) [1] is an American jazz tenor saxophonist associated with swing and straight-ahead jazz. His eldest son, Shō Īmura, is the vocalist of the Japanese rock band Okamoto's .
Sonny Stitt (born Edward Hammond Boatner Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums.
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