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Ben Turpin with a Fotoplayer, 1922. The American Fotoplayer is a type of photoplayer developed by the American Photo Player Co. [1] between the years of 1912 and 1925. [2] The Fotoplayer is a type of player piano specifically developed to provide music and special sound effects for silent movies.
Common version of the motif from Mysterioso Pizzicato Play ⓘ. Mysterioso Pizzicato, also known as The Villain or The Villain's Theme, is a piece of music whose earliest known publication was in 1914, when it appeared in an early collection of incidental photoplay music aimed at accompanists for silent films.
The use of music in a film can cause uncertainty with regard to copyright. As of 2010, it is not known whether the use of music in a film constitutes publication of the music for the purpose of copyright. [5] Unpublished works are treated differently from published works under US copyright law. [6]
The last days of photoplay music were of the era of 1927-1930, when sound films became popular. Silent films already made were generally released with orchestral soundtracks compiled of photoplay music and sound effects. Some photoplay music was used as incidental music in early sound films as well.
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.
Approximately 8,000 to 10,000 photoplayers were produced during the boom era of silent films, between 1910 and 1928. [2] Around a dozen manufacturers produced the instruments, including the American Photo Player Company, which made the Fotoplayer; the Operators Piano Company of Chicago, which made the Reproduco; The Bartola Musical Instrument Company of Oshkosh, Wisconsin, maker of the Bartola ...
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Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).