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piano variation "Ukrainka" (1836), other piano compositions on ukrainian dance melodies such as a Kolomyika, two ukrainian dumkas and "The neighbour has a white house" [9] Semen Hulak-Artemovsky: 1813–1873 Horodyshche: The first Ukrainian-language opera "Zaporozhian Cossack beyond the Danube" [11] Vasilii Sarenko: 1814–1881 Voronezh ...
These two hexachords alternate regularly throughout the piece, but the internal order of the notes is freely permuted from one occurrence to the next. [ 11 ] [ 12 ] [ 13 ] ) The registral disposition of the pitches is organised independently, around two "bridge piers" located ⅓ and ⅔ of the way through the piece.
Ossia (Italian:) is a musical term for an alternative passage which may be played instead of the original passage. The word ossia comes from the Italian for "alternatively" and was originally spelled o sia, meaning "or be it". [1] Ossia passages are very common in opera and solo-piano works.
The piece was prominently used in Stanley Kubrick's 1968 film 2001: A Space Odyssey. After a leap from humanity's prehistoric past to its spacefaring future, the first two-thirds of The Blue Danube are heard as a space plane approaches and docks with a space station; it concludes while another spacecraft travels from the station to the Moon ...
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
[1] 15 sonatas — numbering of the piano sonatas according to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe – Serie 10: Sonaten für Pianoforte (Leipzig: Breitkopf & Härtel, 1888), the first publication that claimed to print the complete set of Schubert's piano sonatas. The Deutsch catalogue was yet to be created, so there ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
The third piece is the most innovative of the three. In its atomisation of the material and its agglomeration of the motivic cells through multiple connections, it isolates its musical parameters (mode of attack, rhythm, texture, register, and agogics) and employs them in a structural though unsystematic manner that foreshadows the integral ...