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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
A love theme is a special theme song (often in various modified forms) that accompanies romantic scenes involving the protagonists of a performance. Theme songs are among the works of incidental music that are most commonly released independently of the performance for which they were written, and occasionally become major successes in their ...
The work is a concert overture - meaning that it is not intended as a prelude to a larger work such as an opera (as 'overture', deriving from the French for 'opening', more often implies). Instead, the piece is performed as an independent piece in a symphonic concert. The term overture here refers to the use of melody and form.
Leonore No. 3 Overture, Op. 72b (1806); one of a series of overtures composed for the opera Leonore, later renamed Fidelio. Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale.
Some of them remain in the repertory, particularly in German-speaking countries, and he composed a substantial quantity of church music, but he is now chiefly known for his overtures, which remain popular in the concert hall and on record. Among the best-known are Poet and Peasant, Light Cavalry, Morning, Noon, and Night in Vienna and Pique Dame.
The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826). [1] Contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". [2] It was written as a concert overture, not associated with any performance of the play.
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...