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However, John Lydgate, in his retelling of the fable earlier in the century, had used "reflexion" instead. [9] In his French version of the story, La Fontaine gave it the title Le chien qui lâche sa proie pour l'ombre (The dog who relinquished his prey for its shadow VI.17), [10] where ombre has the same ambiguity of meaning.
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor, author and lawyer.Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s and 1940s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as old-time radio broadcasts, television ...
I can imagine that there are also variations in whether the dog is a "he", a "she" or an "it". I see that there's still a bit of inconsistency: the page title is "The Dog and Its Reflection" but the lead has it as "The Dog and its Reflection". And the Commons link uses "The Dog and the Bone". So it still needs a bit of sorting out.
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Year of the Dog... Again debuted at number two on the US Billboard 200 chart, selling 126,000 copies in first week, debuting behind NOW 22. [17] This became DMX's sixth US top-ten album and his first album to not debut at number one. [17] In its second week, the album dropped to number nine on the chart, selling an additional 47,000 copies. [18]
Ol' Brown Ears Is Back features Jim Henson performing songs as Muppet Rowlf the Dog. The tracks include "Lydia the Tattooed Lady", a song composed by Harold Arlen and Yip Harburg that first appeared in the 1939 film At the Circus, in which it was performed by Groucho Marx; [4] [better source needed] "Eight Little Notes", a song that includes a rendition of "Für Elise" by Ludwig van Beethoven ...
When 11-year-old Kellan spotted a puppy at his grandma’s house, he was confused - until he discovered it was his early Christmas surprise. ... Watch this young dog lover surprised by his dream ...
A comedy song, it reached No. 1 for one week in November 1975, [3] and was one of the few songs of its genre to reach this milestone. The song is a cover of Sheb Wooley 's [ 4 ] parody of the Tammy Wynette song " D-I-V-O-R-C-E ", [ 5 ] and Connolly's version to date has been his only No. 1 UK single, [ 3 ] though in the late 1970s he had a ...