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Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), [1] was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance.
Robert Campin and workshop, Mérode Altarpiece. Dimensions: overall (when open), 25 3/8 × 46 3/8 in.; central panel, 25 1/4 × 24 7/8 in.; each wing, 25 3/8 × 10 3/4 in. The Annunciation. The Musée des Beaux-Arts, Brussels, version of the central panel, at one time attributed to Jacques Daret, a pupil of Campin's. This panel was painted ...
It was long attributed to the Master of Flémalle, now generally believed to have been Robert Campin, although this identity is not universally accepted. Some art historians believe it may have been painted as a pastiche by either the workshop or a follower of Campin or the Master of Flémalle. [1]
Portrait of St. Veronica, c. 1410, attributed to Robert Campin. Since their rediscovery in the early 19th century, the paintings have at times been attributed Quentin Matsys, and later to Jan van Eyck (given it similarly to his presumed self-portrait, also in the National Gallery, but signed with a date of 1433, that two years earlier).
Master of Flémalle / Master of Flémalle, copy after Robert Campin: 1450s Walker Art Gallery [34] Virgin and Child before a Firescreen: 23 Master of Flémalle / Master of Flémalle Unknown 1425 1430 National Gallery [35] The Virgin preparing the bath of the Child: 24 Master of Flémalle / Unknown, Flemish, c. 1500, after the Master of ...
Paintings by Robert Campin (c.1375−1444) — a notable Flemish Early Netherlandish painter Pages in category "Paintings by Robert Campin" The following 7 pages are ...
Object history: 1917 John G. Johnson Collection: Exhibition history: Prayers and Portraits, Unfolding the Netherlandish Diptych, Royal Museum of Fine Arts Antwerp (3 March 2007 - 27 May 2007)
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