Search results
Results from the WOW.Com Content Network
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), [1] was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance.
The panel closely resembles van der Weyden's c. 1430–1432 Madonna Standing, and seems influenced by the work of Robert Campin, under whom he served his apprenticeship. It is especially close to Campin's 1430 Virgin and Child before a Firescreen , now in London; one of the last works Campin completed before van der Weyden left his studio on 1 ...
Campin was heavily influenced by van Eyck by the early 1430s, and this wing is indebted to him in a number of ways; in the fall of light, sharp detail and especially the convex mirror in the middle ground which reflects the scene back at the viewer, a direct reference to van Eyck's 1434 Arnolfini Marriage. [9]
The Seilern Triptych.Oil on panel, 60 x 48.9 cm (central panel without frame), 60 x 22.5 cm (wing without frame) The Seilern Triptych (also known as Entombment), variously dated c. 1410-15 or c. 1420–25, [1] [2] [3] is a large oil and gold leaf on panel, fixed winged triptych altarpiece generally attributed to the Early Netherlandish painter Robert Campin. [4]
He was influenced by Robert Campin’s workshop in many ways and adapted that into his paintings while also developing his own sense of style. [6] This demonstrates Van Der Weyden’s ability to create an independent style separate from the influence of Campin’s in this painting. Robert Campin - St.Veronica
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Art historian John Ward notes that the altarpiece was one of van der Weyden's first masterpieces, created early in his career when he was still heavily influenced by Robert Campin. He proposes a c. 1437 date based on similarities to Campin's Werl Altarpiece. [6]
Robert Campin – Mérode Altarpiece, c. 1427. Central Panel L'Annonciation by Campin with side panels done by an assistant. The Renaissance (French for 'rebirth'), a cultural movement roughly spanning the 14th through the mid-17th century, was driven by Renaissance humanism and the study of classical sources.