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Trucolor was a color motion picture process used and owned by the Consolidated Film Industries division of Republic Pictures. It was introduced as a replacement for Consolidated's own Magnacolor process. [1] Republic used Trucolor mostly for its Westerns, through the 1940s and early 1950s.
Rear projection in color remained out of reach until Paramount introduced a new projection system in the 1940s. New matte techniques, modified for use with color, were for the first time used in the British film The Thief of Bagdad (1940). However, the high cost of color production in the 1940s meant most films were black and white. [1]
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
The larger the screen, the dimmer the picture. For this and other case-by-case reasons, the use of additive processes for theatrical motion pictures had been almost completely abandoned by the early 1940s, though additive color methods are employed by all the color video and computer display systems in common use today. [4]
1940: 1993: Republic Pictures [688] Three Men in a Tub: 1938: 1994: RHI Entertainment, Inc. [689] Three Strangers: 1946: 1993: Turner Entertainment [690] The Three Stooges Go Around the World in a Daze: 1963: 1994: Columbia Pictures (CST Entertainment Imaging, Inc.) [691] 3:10 to Yuma: 1957: 1992: Columbia Pictures (American Film Technologies ...
Walt Disney Productions, RKO Radio Pictures 1940 Animation, Adventure, Fantasy, Musical Feature US The Return of Frank James: 20th Century-Fox 1940 Crime, History, Western Feature George Barnes, William V. Skall: US Service with the Colors: Warner Bros. 1940 Army Recruiting Short Charles P. Boyle: US The Thief of Bagdad
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Dufaycolor was used in only two British-made feature films: the two colour sequences in Radio Parade of 1935 (1934), and the all-colour Sons of the Sea (1939), directed by Maurice Elvey. [6] It was used for short films; Len Lye, for instance, used it for his films Kaleidoscope (1935), A Colour Box (1935), and Swinging the Lambeth Walk (1940).