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Possible sanxian (left) and pipa, from a 762-827 A.D. painting in the Mogao caves near Dunhuang―Grotto 46 Left interior wall, second panel. Also called cave 112. It has been suggested that sanxian, a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. [1]
In turn, Gentileschi's painting was the inspiration for Giuseppe Crespi's c. 1700–1705 Woman Playing a Lute. [1] Christiansen & Mann note that Gentileschi returned to Caravaggio's early Giorgionesque work, exemplified by paintings such as the c. 1594–1596 Penitent Magdalene, as guidance for his departure from mainstream Caravaggism that The ...
National Gallery of Art artwork ID: 46434 ; Zeri image ID: 48061 ; Source/Photographer: ... "Orazio Gentileschi, The Lute Player, c. 1612/1620, oil on canvas, overall ...
The painting has symbolism in the headscarf and outfit that portray Gentileschi in a costume that resembles a Romani woman. [5] Self-Portrait as a Lute Player has been interpreted as Gentileschi portraying herself as a knowledgeable musician, [4] a self portrayal as a prostitute, [6] and as a fictive expression of one aspect of her identity. [7]
Santa Cecilia is an early painting, from c. 1620, by the Baroque painter Artemisia Gentileschi, a painter described as "a grand exception in the history of art - a successful woman painter in an era in which art was dominated by men." [1]
Pontormo, The Lute Player (c. 1529–1530), oil on panel, Alana collection, 2017. [1]"A painting by a minor master close to The Lute Player by Pontormo or the Madonna by Fra Angelico, which I rank among the greatest masterpieces in my collection."
Lute Player is an early 17th-century painting by French artist Valentin de Boulogne.Done in oil on canvas, the painting depicts a young soldier playing a lute. The painting was originally in the collection of Cardinal Mazarin, and is now in the collection of the Metropolitan Museum of Art, in New York.
The Lute Player, 1596, oil on canvas, Caravaggio Caravaggio seems to have composed the painting from studies of two figures. [ 10 ] The central figure with the lute has been identified as Caravaggio's companion Mario Minniti , and the individual next to him and facing the viewer is possibly a self-portrait of the artist. [ 4 ]