Search results
Results from the WOW.Com Content Network
Shuang Fei (雙飛) is a song associated with the story. It was used as one of the theme songs for The Lovers (1994) and the ending theme song for Butterfly Lovers (2007). It was performed by Nicky Wu in 1994 and Peter Ho in 2007. In May 2018, on her first full studio album in nine years, called Butterflies, Basia released "Liang and Zhu." The ...
The concerto is in one movement, but is broken into seven distinct sections. Each tells a different part of the story of the Butterfly Lovers. Some of the melodies come from the Chinese Opera of the same name or from traditional Chinese folk songs. The solo violin of the concerto is symbolic of Zhu Yingtai, the story's protagonist, and the ...
"Butterfly" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the third and final single from his second studio album, Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman .
Robert Neale Lind (born November 25, 1942) is an American folk-music singer-songwriter who helped define the 1960s folk rock movement in the U.S. and UK. [1] Lind is well known for his transatlantic hit record, "Elusive Butterfly", [2] which reached number 5 on both the US and UK charts in 1966.
AOL latest headlines, entertainment, sports, articles for business, health and world news.
"Butterfly" is a pop song, written and recorded by the French singer-songwriter, Danyel Gérard (born Gérard Daniel Khertakian, [1] 7 March 1939, Paris [2] [3]) in the late 1960s. It was initially a hit in the French language. In the early 1970s, English words were written, and Gérard recorded it again in the United States.
The song is credited to Anthony September as songwriter in some sources. [1] This was a pseudonym of Anthony Mammarella, producer of American Bandstand. The original recording of the song by Charlie Gracie reached No. 1 on the Billboard Juke Box chart, No. 10 on the R&B chart and No. 12 on the UK Singles Chart in 1957. [2]
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...