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Lake Shore (湖畔), by Kuroda Seiki (1897) Reminiscence of the Tempyō Era (天平の面影), by Fujishima Takeji (1902). Yōga (洋画, literally "Western-style painting") is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials.
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. [1] Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor.
From the 1860s, ukiyo-e, Japanese woodblock prints, became a source of inspiration for many Western artists. [5] These prints were created for the commercial market in Japan. [ 5 ] Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. [ 5 ]
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
Western-style painting was officially promoted by the government, who sent promising young artists abroad for studies, and who hired foreign artists to come to Japan to establish an art curriculum at Japanese schools. Kuroda Seiki is considered the leader of the yōga movement and the father of Western-style painting in Japan. [13]
Perhaps Kuroda's greatest contribution to Japanese culture, however, was the broader acceptance of Western-style painting he fostered on the part of the Japanese public. [19] Despite initial reluctance, he convinced the public to accept the validity of Western-style art theories and practices. [1]
Pages in category "1860s paintings" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. 0–9. The 9:45 ...
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. [2]