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Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. [1] [2] [3] The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry.
Types of information held by oral repositories includes lineages, oral law, mythology, oral literature and oral poetry (of which oral history is often entwined), folk songs and aural tradition, and traditional knowledge. In many indigenous societies, such as Native American and San, these roles are fulfilled in a general sense by elders.
Pysanka, Ukrainian tradition and art of decorating eggs 2024 ENA [639] United Arab Emirates: Al Aflaj, traditional irrigation network system in the UAE, oral traditions, knowledge and skills of construction, maintenance and equitable water distribution 2020 AST [640] Al Talli, traditional embroidery skills in the United Arab Emirates 2022 [641]
Storytelling and oral tradition are forms of word of mouth that play important roles in folklore and mythology. Another example of oral communication is oral history—the recording, preservation and interpretation of historical information, based on the personal experiences and opinions of the speaker.
Ural-batyr (Bashkirs oral tradition set in the written form by Mukhamedsha Burangulov in 1910) The Ballad of the White Horse by G. K. Chesterton (1911) Mensagem by Fernando Pessoa (composed 1913–1934) The Cantos by Ezra Pound (composed 1915–1969) Dorvyzhy, Udmurt national epic compiled in Russian by Mikhail Khudiakov (1920) basing on ...
Oct. 5—Oral storytelling is a tradition in Appalachia with roots primarily tracing back to the Scotch-Irish Appalachian settlers that began inhabiting the region during the 18th century. Like ...
Folklore began to distinguish itself as an autonomous discipline during the period of romantic nationalism in Europe. A particular figure in this development was Johann Gottfried von Herder, whose writings in the 1770s presented oral traditions as organic processes grounded in the locale.
The spectacle of Djemaa el Fna is repeated daily and each day it is different. Everything changes – voices, sounds, gestures, the public which sees, listens, smells, tastes, touches. The oral tradition is framed by one much vaster – that we can call intangible. The Square, as a physical space, shelters a rich oral and intangible tradition.